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THE LONG GOODBYE (blu-ray)

Los Angeles private eye Philip Marlowe (Gould) faces the most bizarre case of his life, when a friend’s apparent suicide turns into a double murder involving a sexy blonde, a disturbed gangster and a suitcase full of drug money. But as Marlowe stumbles toward the truth, he soon finds himself lost in a maze of sex and deceit – only to discover that in L.A., if love is dangerous…friendship is murder.

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THE LONG GOODBYE (blu-ray)

Artikelnummer 137031 Kategorier , , , , , Etikett

Beskrivning

Titel: The Long Goodbye ( Långt Farväl )

Mediatyp: Blu-Ray

Kategori: Thriller

År: 1973

Filmens längd: 108 Min

Skådespelare: Elliot Gould , Mark Rydell

Objektets skick: Begagnad

Utgivare/bolag: Arrow

Utgåva: Brittisk

Region: B

Textning: Engelska

Fodraltyp: Keepcase

Övrig info:

Extra material
» Rip Van Marlowe – An interview with director Robert Altman and star Elliott Gould
» Vilmos Zsigmond Flashes The Long Goodbye – An interview with the legendary cinematographer
» Giggle and Give In – Paul Joyce’s acclaimed documentary profile of Robert Altman, with contributions from Altman, Elliott Gould, Shelley Duvall, assistant director Alan Rudolph and screenwriter Joan Tewkesbury
» Elliott Gould Discusses The Long Goodbye – a conversation with crime novelist Michael Connelly, recorded in March 2012
» David Thompson on Robert Altman – David Thompson, editor of ’Altman on Altman’ and producer of the BBC’s ’Robert Altman in England’, talks about The Long Goodbye’s place in Altman’s filmography
» On Raymond Chandler – Chandler’s biographer, Tom Williams, outlines the author’s life and work and discusses Altman’s adaptation of The Long Goodbye
» On Hard Boiled Fiction – Crime writer and critic Maxim Jakubowski discusses the emergence of hard boiled detective characters from the pages of the pulp magazines from the 1920s through to the 1950s
» Original Theatrical Trailer
» Radio Spots
» Reversible sleeve featuring original and newly commissioned artwork by Jay Shaw
» Booklet featuring new writing on the film by Brad Stevens, an archive interview with screenwriter Leigh Brackett, a new interview with assistant director Alan Rudolph and an American Cinematographer article discussing Zsigmond’s unique treatment of the film, illustrated with original archive stills and posters

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